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As the title suggests the work develops in almost chameleon like forms from the kernel of the first four notes of makeoger opening stanza. The overall texture completely changes as individual lines become lost and reappear in different forms, times and settings, and complex rhythmic patterns emerge from what is seemingly musical chaos.

It is marked Andante Cantabile as befits the original and could easily win or lose the contest for any band if approached in the wrong manner. Bb Bass Tuba T. It is however a work of real beauty and elegance allied to some amazingly complex technical makeoger. Eb Horn III 1. There then follows an extended build up when the sense of change is palpable entries are marked ppp, but sense of measured heart beat is audible.

The first metamorphosis emanates from a single tone, to which the two successive tones from the theme are added in bell-like chords. Eb Baritone Sax 2.

The middle section is a tad overlong and can be seen as an attempt to rest the scoree before the johann onslaught. It ends with discordance and a final metamorphosis to the last immense chord that closes a work of rare brilliance. Finally, at we come to final climax with a subtle little echo of the Overture underscored in the 3rd cornet and flugel and with the bells peeling. Congratulations are therefore warranted to the organisers and especially the composer for giving us another European test piece that deserves greater exposure than just this extrwme weekend.


Eb Alto Sax I 2. The addition of the lower second results in a completely new sound world, completing the first metamorphosis.

We think it is a fine piece. Some of the technical writing is frightening in its mxkeover and no one is spared. Bb Clarinet III 1. It ends with a quote from Tchaikovsky’s 4th Symphony, before we come to what will be a section of writing that will surely be talked about for years to come.

Extreme Make-over (Score & Parts)

Bb Bass Tuba Makeovr. Between and in particular there is some brilliant, almost mathematical technical work. Johan de Meij Johan de Meij Born in Voorburg, studied trombone and conducting at the Royal Conservatory of Music at The Hague and has earned international fame as a composer and arranger.

There is use of dynamic contrast as well as articulation nuance whilst the need for balance and tuning is paramount.

EXTREME MAKE-OVER – Parts & Score – Just Music – Brass Band Music and CDs

Your browser does not support the audio element. Bass Trombone C 2.

This is where the cornet and horn players take to the bottle to create a gamelan effect which sounds like a small fairground organ in melj. On the Site 4barsrest Shop Podcasts 4br Vision. Bb Trumpet IV 2. Trombone I C 2. In Extreme Make-over this theme is introduced in its original form by a brass quartet consisting of two cornets, alto horn and euphonium.


Klezmer Classics Planet Earth Score: Johan de Meij Born in Voorburg, studied trombone and conducting at the Royal Conservatory of Music at The Hague and has earned international fame as a composer and arranger.

2005 European Championships – Extreme Make-Over – Set Test Piece

In fact this section takes close on three minutes to play, but the effect can be spectacularly beautiful. Again the volume throughout is high, so the key may well be kakeover play it just below maximum as to create the effects that are written clearly into the score.

The percussion section will have its hands full from very nearly the word go up to five players or more may be needed at any one timeand the timpanist gets the chance to shine at figure with a metamorphosis of the original theme.

Bb Tenor Sax 1. The opening section is set as a simple quartet, played and marked semplice by two solo cornets, a horn and euphonium. Bb Trumpet Fxtreme 2.

de Meij, Johan – Extreme Make-over (Score & Parts)

Bb Bass Clarinet 2. Additional Parts [for European countries only] 1. The main theme exttreme the Andante cantabile is based on a Russian folksong.

Again and again little motifs and themes are heard and the detail in the writing is immense. F Horn I 2. F Horn II 2. In Tchaikovsky arranged this movement for cello and orchestra. AM Hal Leonard Instrumentation: Demo score Extreme Make Over Ha. Bb Clarinet II 6.

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